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Flasz On Film

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Jakub Flasz

23rd Feb 2026

Swearing at the BAFTAs and its Mind-Boggling Aftermath

Jakub Flasz
22nd Feb 2026

How the Saga of Netflix and Paramount Circling WB Like Vultures Was Probably Partisan from the Get-Go

Jakub Flasz
21st Feb 2026

Prescient Carpenterian Escapes and Counterculture Through World-Building

Jakub Flasz
18th Feb 2026

GOAT (2026) – Review

Jakub Flasz
17th Feb 2026

Between THEY LIVE and BUGONIA, or How Eating the Rich Turned Into the Rich Eating Us

Jakub Flasz
16th Feb 2026

Whistle (2026) – Review

Jakub Flasz
15th Feb 2026

THE HOUSEMAID and Overlooked Archetypes of Second-Order Enablers

Jakub Flasz
13th Feb 2026

The Wes Craven Retrospective – The Hills Have Eyes Part II (1985)

Jakub Flasz
12th Feb 2026

Crime 101 (2026) – Review

Jakub Flasz
10th Feb 2026

Immortality and Risk Aversion Disguised as Taste

Jakub Flasz
9th Feb 2026

JAY KELLY – An Ethically-Sourced Ersatz Woody Allen Movie

Jakub Flasz
8th Feb 2026

Primate (2026) – Review

Jakub Flasz
7th Feb 2026

IRON LUNG and the Fragile Myth of Cross-Domain Expertise Transferability

Jakub Flasz
5th Feb 2026

SEND HELP, Screwballs From Hell and Office Sexism Drenched in Gore

Jakub Flasz
3rd Feb 2026

Shelter (2026) – Review

Jakub Flasz

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