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Jakub Flasz
21st Mar 2026
PROJECT HAIL MARY, Unfixability of Andy Weir’s Writing and Triumph of Simplicity
Jakub Flasz
20th Mar 2026
One Last Deal (2026) – Review
Jakub Flasz
19th Mar 2026
The Good Boy (2025) – Review
Jakub Flasz
18th Mar 2026
Exposure Therapy of Watching NO OTHER CHOICE While Unemployed
Jakub Flasz
16th Mar 2026
Oscars 2026 and the Shifting Definitions of Oscar Bait
Jakub Flasz
15th Mar 2026
War Machine (2026) – Review
Jakub Flasz
12th Mar 2026
HOPPERS: an AVATAR Movie Worth Getting Behind
Jakub Flasz
11th Mar 2026
The Bride! (2026) – Review
Jakub Flasz
10th Mar 2026
A Polish Xennial in a Collapsed Timeline
Jakub Flasz
8th Mar 2026
Dolly (2025) – Review
Jakub Flasz
6th Mar 2026
SCREAM 7, the Hard Graft of Keeping Franchises Alive and Rationalization Through Meta-Meta-Commentary
Jakub Flasz
5th Mar 2026
HOW TO MAKE A KILLING, Satirical Relics and the Unfortunate Inability to Dislike Golden Retrievers
Jakub Flasz
3rd Mar 2026
Wasteman (2025) – Review
Jakub Flasz
2nd Mar 2026
GOOD LUCK, HAVE FUN, DON’T DIE, Kitchen Sink Satires and Fist-Waving Gen-X Men
Jakub Flasz
1st Mar 2026
Uncut Gems Podcast (February 2026 Round-up)
Jakub Flasz
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