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Flasz On Film
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Jakub Flasz
18th Jun 2026
POWER BALLAD, Rom-Coms for Men and the Magic of Having You at Hello
Jakub Flasz
15th Jun 2026
Shell-Shocked Toddlers at Screen One
Jakub Flasz
13th Jun 2026
Backrooms (2026) – Review
Jakub Flasz
11th Jun 2026
THE MANDALORIAN AND GROGU and Resting a Shared Universe on a Thin Load-Bearing Wall of Surface-Level Iconography
Jakub Flasz
8th Jun 2026
PASSENGER and the Error of Eschewing Kingly Advice
Jakub Flasz
3rd Jun 2026
Finding Emily (2026) – Review
Jakub Flasz
1st Jun 2026
Uncut Gems Podcast (May 2026 Round-up)
Jakub Flasz
27th May 2026
Rose of Nevada (2026) – Review
Jakub Flasz
25th May 2026
NORMAL, Perils of Genre Tourism and the Challenge of Standing Out Among John Wick Clones
Jakub Flasz
23rd May 2026
Obsession (2026) – Review
Jakub Flasz
20th May 2026
TUNER, Velocity as Camouflage and Stacking Conveniences to Develop a Gimmick into Something Watchable
Jakub Flasz
19th May 2026
MORTAL KOMBAT II and the Impossibility of Satisfying Conflicting Priorities of Viewer Cohorts while Mindlessly Mashing Buttons
Jakub Flasz
11th May 2026
Understanding Michael Haneke – Amour (2012)
Jakub Flasz
9th May 2026
Father Mother Sister Brother (2025) – Review
Jakub Flasz
7th May 2026
Toilet Rolls of Slop, Vampires and the Cowardly Death of Authentic Writing
Jakub Flasz
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