How James Cameron rescued ARMY OF THE DEAD

What do you do when you find out you are extremely unlikely to like a movie you are watching now? Do you switch it off? Do you persevere? Do you bear it with clenched fists and a slapped-on grin, murmuring to yourself it would all be over soon and that you must slug it out because turning it off would be tantamount to desertion?  

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HALLOWEEN II – a Blueprint for THE TERMINATOR

Universal Pictures

It goes without saying that John Carpenter’s Halloween was never envisioned to sustain a sequel, let alone an entire franchise. It probably was a bit surprising when the film became iconic and gave birth to one of the most – if not the most – recognizable villains in history of cinema, Michael Myers. Therefore, the question of following up the unexpected success of what became one of the most profitable independent movies of all time was both inevitable and challenging given the strong possibility that John Carpenter wasn’t that interested in exploring this world any longer. 

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How THE MATRIX Became STAR WARS of My Generation

I wasn’t around in 1977 to witness how George Lucas’ Star Wars took the world by storm. I was born a bit too late and in the wrong country to experience the queues, the hysteria, the toys, or the sudden emergence of the hardcore fandom that not only has persisted to this day, but grew into a self-sustaining part of the modern popular culture. Star Wars came into my life when it was already established as a trilogy, in fact just a few short years before the release of its then-anticipated-but-now-widely-reviled Special Edition. So, even though I thoroughly missed out on the cultural germination, I grew a part of the Star Wars phenomenon; moulded and surrounded by it. What I did get to witness first-hand was the inception of another worldwide juggernaut, as I was a teenager with an impressionable mind – in the cultural ‘Goldilocks zone’, so to speak – when The Matrix was unleashed upon the world in 1999. And I have to say that those two movies have quite a bit in common.  

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The Ingenious Unsettling Ambiguity of John Carpenter’s HALLOWEEN

Some movies scare you in the moment. Some startle you. Some disturb with graphic imagery. Truth be told, a good majority of movies that actively set out to do such things and succeed, suffer from diminishing returns in this regard because once we adjust to what they are trying to achieve, attune ourselves accordingly and allow our brains to turn down their sensitivity, they lose their magic touch. We can anticipate when the jump scares are coming and over time graphic violence or gory imagery makes less and less of an impact.  

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The Principal Bond Question

Who was the best James Bond? Who was your favourite? These two questions, often rolled into one, have been on the lips of everyone and their mother in the recent days owing to the release of No Time to Die. As a result, a flurry of listicles has been deployed from all corners of movie fandom and seemingly every online publication – big or small, doesn’t matter – added to the veritable ocean of pieces ranking the actors who portrayed Ian Fleming’s iconic superspy and tried to give an answer to this everlasting Bond question which seems ever more pressing now because Daniel Craig’s tenure in the role has come to an end.

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SPIRIT UNTAMED Is a Tool to Find Intelligent Critics

Dreamworks

The more I think about it, films specifically aimed at children can be useful tools sometimes, but not in any way related to the idea of providing the youngest audiences with entertainment. Movies like Spirit Untamed are a great litmus test to find out which film critics are worth reading and engaging with, and which ones clearly have no idea what they’re doing.  

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Does It Matter If STILLWATER Is Loosely Based on Amanda Knox Story?

Focus Features

No. It doesn’t. Now you can move on with your life.

Seriously though, apart from the curious case of Matt Damon not being able to refrain from speaking (yet again), the release of Tom McCarthy’s Stillwater (find my review here) was accompanied by quite a controversy. After Vanity Fair published a piece in which McCarthy admitted that the story was loosely inspired by the case of Amanda Knox, who was wrongfully convicted and imprisoned for a murder of a fellow student when she was studying in Italy, the entirety of the discourse surrounding the film – such as it was – coalesced around this affair.

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Can OLD Be Weaponized by Vaccine Refuseniks?

WARNING: The following article contains spoilers for M. Night Shyamalan’s Old

It took me longer than I would like to admit to come up with a title to this text that wouldn’t immediately ruin the film for anyone who has not seen Old yet. And although I think did a good enough job in remaining slightly vague while still making sure the title corresponds to what I wanted to touch on, something tells me (based on the dwindling conversation surrounding the film and the negative word-of-mouth extinguishing the film’s presence in the zeitgeist) that there aren’t many people left in the world who would care that much anyway.

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