• 

  17th Apr 2026

  THRASH and the Importance of Paddling When Cast Adrift

  Jakub Flasz

• 

  11th Apr 2026

  UNDERTONE, Aural Gimmickry and the Courage to Go All-In Instead of Cashing Out

  Jakub Flasz

• 

  8th Apr 2026

  Pretty Lethal (2026) – Review

  Jakub Flasz

• 

  1st Apr 2026

  The Seemingly Inexplicable Buoyancy of the SCREAM Franchise

  Jakub Flasz

• 

  30th Mar 2026

  Ready or Not 2: Here I Come (2026) – Review

  Jakub Flasz

• 

  25th Mar 2026

  THEY WILL KILL YOU, Second-Order Genre Medleys and Watching KILL BILL While Eating the Rich

  Jakub Flasz

• 

  23rd Mar 2026

  Unremarkable (2025) – Review

  Jakub Flasz

• 

  11th Mar 2026

  The Bride! (2026) – Review

  Jakub Flasz

• 

  8th Mar 2026

  Dolly (2025) – Review

  Jakub Flasz

• 

  6th Mar 2026

  SCREAM 7, the Hard Graft of Keeping Franchises Alive and Rationalization Through Meta-Meta-Commentary

  Jakub Flasz

• 

  26th Feb 2026

  Cold Storage (2026) – Review

  Jakub Flasz

• 

  17th Feb 2026

  Between THEY LIVE and BUGONIA, or How Eating the Rich Turned Into the Rich Eating Us

  Jakub Flasz

• 

  16th Feb 2026

  Whistle (2026) – Review

  Jakub Flasz

• 

  8th Feb 2026

  Primate (2026) – Review

  Jakub Flasz

• 

  7th Feb 2026

  IRON LUNG and the Fragile Myth of Cross-Domain Expertise Transferability

  Jakub Flasz