• 

  7th Oct 2024

  NEVER LET GO, Doom-Swallows and Biology of Cultural Microtrends

  Jakub Flasz

• 

  2nd Oct 2024

  THE LAWNMOWER MAN and the Curious Case of Adaptio ad Absurdum

  Jakub Flasz

• 

  24th Sep 2024

  SOMETIMES THEY COME BACK, Confronting Greasers Within and the Case for an Elevated Horror Remake

  Jakub Flasz

• 

  10th Sep 2024

  ALIEN: ROMULUS and the Science of Withholding Flatulence While Appearing Inspired and Cool

  Jakub Flasz

• 

  27th Aug 2024

  IN A VIOLENT NATURE Is an Upside-Down Slasher Cake

  Jakub Flasz

• 

  30th Jul 2024

  THE SHINING and the Arduous Task of Triangulating the Locus of Its Essence

  Jakub Flasz

• 

  16th Jul 2024

  MAXXXINE and the Parameters of Having Fun Under Strict Conditions of Identity Crisis

  Jakub Flasz

• 

  11th Jul 2024

  A QUIET PLACE: DAY ONE, Familiar Theme Park Attractions and the Unbearable Weight of an Untouched Bucket of Popcorn

  Jakub Flasz

• 

  30th Jun 2024

  SOMETHING IN THE WATER and Why Nobody Ever Talks About What They Ate at Pizza Express

  Jakub Flasz

• 

  14th Jun 2024

  ‘SALEM’S LOT, Vampires Next Door and the Often-Unnoticed Prowess of Stephen King’s World-Building

  Jakub Flasz

• 

  11th Jun 2024

  STING and Why Going Places Matters More Than Pointing at Things

  Jakub Flasz

• 

  30th Apr 2024

  ABIGAIL and the Arcane Art of Microwaving Stale Bread

  Jakub Flasz

• 

  27th Mar 2024

  IMMACULATE – Rosemary’s Baby’s Baby

  Jakub Flasz

• 

  22nd Mar 2024

  JAWS Was Not a Pandemic Movie

  Jakub Flasz

• 

  19th Mar 2024

  IMAGINARY and the Impotent Futility of Watching Recursive TikTok Dances

  Jakub Flasz