• 

  28th Jun 2026

  Toy Story 5 (2026) – Review

  Jakub Flasz

• 

  11th Jun 2026

  THE MANDALORIAN AND GROGU and Resting a Shared Universe on a Thin Load-Bearing Wall of Surface-Level Iconography

  Jakub Flasz

• 

  4th May 2026

  STAR WARS and the Case of Shifting Generational Imprinting

  Jakub Flasz

• 

  27th Dec 2025

  2025 in Review: 8 More Great Films I Watched

  Jakub Flasz

• 

  5th Dec 2025

  The Netflix Ouroboros and the Irony of the Streaming Problem

  Jakub Flasz

• 

  3rd Dec 2025

  Zootopia 2 (2025) – Review

  Jakub Flasz

• 

  17th Aug 2025

  Super Charlie (2025) – Review

  Jakub Flasz

• 

  3rd Aug 2025

  Heidi: Rescue of the Lynx (2025) – Review

  Jakub Flasz

• 

  4th Jul 2025

  ELIO and the Cost of Pixar’s Cultural Caution

  Jakub Flasz

• 

  25th Mar 2025

  SNOW WHITE and the Vagaries of Gambling with Big Pots of Moolah

  Jakub Flasz

• 

  29th Dec 2024

  2024 in Review: 10 Best Films I Watched

  Jakub Flasz

• 

  2nd Dec 2024

  MOANA 2, From Wayfinder to Role Model on the Open Seas

  Jakub Flasz

• 

  12th Nov 2024

  THE WILD ROBOT, The Game of Four-Quadrant Catch-up, and Ordering Pixar Movies from Alibaba

  Jakub Flasz

• 

  25th Jun 2024

  INSIDE OUT 2 and the Magic of Pixar’s Four-Quadrant Competence

  Jakub Flasz

• 

  30th May 2024

  KINGDOM OF THE PLANET OF THE APES Is a Fully Industrialized McBlockbuster

  Jakub Flasz