Wonder Woman, Christopher Nolan, and the Death of Hollywood

Following months of delays and all-encompassing uncertainty, Warner Bros have announced recently that their newest addition to the beleaguered DC Cinematic Universe, Wonder Woman 1984, would finally see the light of day this Christmas. Interestingly however, in contravention to widely acknowledged norm, it will be simultaneously released in US cinemas (where it is safe to do so) as well as on HBO Max, where it will be available to stream from the comfort of your home. This immediately invites a question: what does this mean for the future of theatrical experience?

Continue reading