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Review-Adjacent Rants
21st Dec 2023
FERRARI and the Use-by Date of Action Juice
Jakub Flasz
19th Dec 2023
GODZILLA MINUS ONE, Neo-realism, and Spielbergian Fundamentals
Jakub Flasz
16th Dec 2023
HOW TO HAVE SEX and the Female Gaze-Enabled Cinéma Vérité
Jakub Flasz
11th Dec 2023
EILEEN and the Subtle Art of Encoding Detail in Negative Spaces
Jakub Flasz
8th Dec 2023
How MAGIC MIKE Movies Foreshadow Changes in Steven Soderbergh’s Career
Jakub Flasz
5th Dec 2023
Emerald Fennell’s Cinema of Performative Champagne Outrage
Jakub Flasz
4th Dec 2023
SALTBURN and the Life Expectancy of a House of Cards
Jakub Flasz
29th Nov 2023
NAPOLEON, Factoid Slide Shows and Daily Ablutions
Jakub Flasz
24th Nov 2023
THANKSGIVING and the Revival of 90s Slasher Revival
Jakub Flasz
21st Nov 2023
SOUL, The Great Resignation Wave and Why We Can’t Have Nice Things
Jakub Flasz
20th Nov 2023
THE KILLER, Old Flames and the Difficulty of Recapturing Your Youth
Jakub Flasz
19th Sep 2023
THE EQUALIZER is JOHN WICK for Dads
Jakub Flasz
15th Aug 2023
On the Often Overlooked Undercurrent of Feminism in Christopher Nolan’s INSOMNIA
Jakub Flasz
6th Aug 2023
BARBIE Is a Film Every Man Should See
Jakub Flasz
26th Jul 2023
Is OPPENHEIMER Autobiographical?
Jakub Flasz
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