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Review-Adjacent Rants
2nd May 2024
SPEED and Auto-Therapeutic Nostalgia for Mid-90s Lean Awesomeness
Jakub Flasz
30th Apr 2024
ABIGAIL and the Arcane Art of Microwaving Stale Bread
Jakub Flasz
23rd Apr 2024
CIVIL WAR – an Odyssey into the Heart of Darkness of Current Political Divisions
Jakub Flasz
16th Apr 2024
THE FIRST OMEN, Reasons to Keep Franchises Alive and Condom Expiration Dates
Jakub Flasz
11th Apr 2024
GODZILLA x KONG: THE NEW EMPIRE, Roger Corman Vibes, and the Rambunctious Ridiculousness of Aping DCEU
Jakub Flasz
27th Mar 2024
IMMACULATE – Rosemary’s Baby’s Baby
Jakub Flasz
19th Mar 2024
IMAGINARY and the Impotent Futility of Watching Recursive TikTok Dances
Jakub Flasz
11th Mar 2024
DUNE PART TWO, Cinematic Pickup Bars, and the Joy of Finding Rhythm in a Song After Clapping to It Wrong for a While
Jakub Flasz
5th Mar 2024
THE HOLDOVERS, Men in Chronic Crisis, and the Unbearable Weight of Skeletons in the Closet
Jakub Flasz
26th Feb 2024
WICKED LITTLE LETTERS and The Subtle Art of Entertaining British Pensioners
Jakub Flasz
23rd Feb 2024
MO’ BETTER BLUES, Meta-Autobiographical Soloing and Lamentations on Authorial Filmmaking
Jakub Flasz
15th Feb 2024
THE IRON CLAW or How Biopic Schmaltziness Is a Suplex
Jakub Flasz
12th Feb 2024
ALL OF US STRANGERS, Arthouse Twistiness and the Void of Atomized Loneliness
Jakub Flasz
7th Feb 2024
AIRPORT 1975, These Magnificent Charltons, and Their Flying Studios
Jakub Flasz
4th Feb 2024
ROBOT JOX – The SPEED RACER of Its Time
Jakub Flasz
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