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Review-Adjacent Rants
5th Mar 2024
THE HOLDOVERS, Men in Chronic Crisis, and the Unbearable Weight of Skeletons in the Closet
Jakub Flasz
26th Feb 2024
WICKED LITTLE LETTERS and The Subtle Art of Entertaining British Pensioners
Jakub Flasz
23rd Feb 2024
MO’ BETTER BLUES, Meta-Autobiographical Soloing and Lamentations on Authorial Filmmaking
Jakub Flasz
15th Feb 2024
THE IRON CLAW or How Biopic Schmaltziness Is a Suplex
Jakub Flasz
12th Feb 2024
ALL OF US STRANGERS, Arthouse Twistiness and the Void of Atomized Loneliness
Jakub Flasz
7th Feb 2024
AIRPORT 1975, These Magnificent Charltons, and Their Flying Studios
Jakub Flasz
4th Feb 2024
ROBOT JOX – The SPEED RACER of Its Time
Jakub Flasz
29th Jan 2024
AMERICAN FICTION, Urgency, Importance, and the Difference Between the Two
Jakub Flasz
22nd Jan 2024
CLOSE ENCOUNTERS OF THE THIRD KIND and Mashed Potato-Shaped Dreams of Hollywood Greatness
Jakub Flasz
17th Jan 2024
THE BEEKEEPER and the Curiously Unpretentious Corniness of a JOHN WICK Wannabe
Jakub Flasz
15th Jan 2024
POOR THINGS and Accessibility of Weirdness
Jakub Flasz
9th Jan 2024
PRISCILLA, Loneliness at the Top, and the Toxic Allure of Celebrity
Jakub Flasz
4th Jan 2024
LEAVE THE WORLD BEHIND, Red Haneke Herrings and Post-Pandemic Reverberations
Jakub Flasz
2nd Jan 2024
NEXT GOAL WINS, Kübler-Ross and Acute Lack of Self-Awareness
Jakub Flasz
23rd Dec 2023
REBEL MOON and the Killing of a Sacred Darling
Jakub Flasz
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