Flasz On Film

Opinions, Rants and Diatribes

27th Jan 2026

HIGHLANDER at 40: A Missing Link in the Evolution of Fantasy

Jakub Flasz
19th Jan 2026

Paralysis of Choice, Anxiety of Having to Choose, Fear of Commitment and the Middle Ground Between Them

Jakub Flasz
9th Jan 2026

EXCALIBUR at 45: The Last Gasp of New Hollywood

Jakub Flasz
7th Jan 2026

WOLF, Modes of Masculinity and the Liberation of Mike Nichols

Jakub Flasz
24th Dec 2025

Is GREMLINS a MAGA-Coded Christmas Classic?

Jakub Flasz
22nd Dec 2025

The Silent Acceptance of High Frame Rate Filmmaking

Jakub Flasz
17th Dec 2025

Rob Reiner’s Death and the Unease of Writing About It

Jakub Flasz
14th Dec 2025

How Quentin Tarantino Broke the Hollywood Omerta by Putting a Foot in His Mouth

Jakub Flasz
11th Dec 2025

KILL BILL: THE WHOLE BLOODY AFFAIR and the Delayed, Over-Compensatory Appraisal of the Bloody Affair it Brought Whole

Jakub Flasz
7th Dec 2025

Netflix at a Crossroads, Disruption as Religion and Red Flag Messaging

Jakub Flasz
5th Dec 2025

The Netflix Ouroboros and the Irony of the Streaming Problem

Jakub Flasz
2nd Dec 2025

A Half-Hearted Defence of Spike Lee’s OLDBOY

Jakub Flasz
28th Nov 2025

Auto-Catalyzed Perpetuation of Poor Radio Discipline

Jakub Flasz
15th Nov 2025

On the Demise of “Actually” Movies Under Algorithmic Pressure

Jakub Flasz
6th Nov 2025

Art the Clown and the Death of the Slasher Icon

Jakub Flasz