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Flasz On Film
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Featured
24th Dec 2025
Is GREMLINS a MAGA-Coded Christmas Classic?
Jakub Flasz
22nd Dec 2025
The Silent Acceptance of High Frame Rate Filmmaking
Jakub Flasz
14th Dec 2025
How Quentin Tarantino Broke the Hollywood Omerta by Putting a Foot in His Mouth
Jakub Flasz
11th Dec 2025
KILL BILL: THE WHOLE BLOODY AFFAIR and the Delayed, Over-Compensatory Appraisal of the Bloody Affair it Brought Whole
Jakub Flasz
6th Dec 2025
S Stands for Slop
Jakub Flasz
2nd Dec 2025
A Half-Hearted Defence of Spike Lee’s OLDBOY
Jakub Flasz
19th Nov 2025
THE RUNNING MAN, Persistently Resonant Dystopias and Hollywood’s Fear of Edginess
Jakub Flasz
15th Nov 2025
On the Demise of “Actually” Movies Under Algorithmic Pressure
Jakub Flasz
7th Nov 2025
Writing on the Precipice of Artificial Superintelligence
Jakub Flasz
6th Nov 2025
Art the Clown and the Death of the Slasher Icon
Jakub Flasz
23rd Oct 2025
Colonoscopy: On the Rampant and Unyielding Colonization of Movie Titles
Jakub Flasz
22nd Oct 2025
BLACK PHONE 2, Accidental Fan-Fics and Letting Freddy Krueger Roam the Overlook
Jakub Flasz
15th Oct 2025
THE LONG WALK and How a Movie May Struggle to Proceed at a Pace of a Walking Man
Jakub Flasz
5th Oct 2025
King’s Backdoor Fantasy and the Paradoxical Requirements for Successfully Adapting THE STAND
Jakub Flasz
26th Sep 2025
ALIEN: EARTH, Aesthetic Anchoring and Conversations on Sentience with a Xenomorph in the Corner
Jakub Flasz
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