Flasz On Film

Jakub Flasz

27th Jan 2026

HIGHLANDER at 40: A Missing Link in the Evolution of Fantasy

Jakub Flasz
25th Jan 2026

Matt Damon Saying the Quiet Part Out Loud and Apparent Cultural Amnesia

Jakub Flasz
24th Jan 2026

THE RIP, Comfort Food for Action Dads and the Mistake of Heading for the Couch Instead of Cinemas

Jakub Flasz
22nd Jan 2026

The 2026 Oscar Nominations and Work-shy LLMs

Jakub Flasz
20th Jan 2026

Giant (2025) – Review

Jakub Flasz
19th Jan 2026

Paralysis of Choice, Anxiety of Having to Choose, Fear of Commitment and the Middle Ground Between Them

Jakub Flasz
18th Jan 2026

RENTAL FAMILY, Heartfelt Humanity Between Reality and Performance and the Pitfalls of Method Acting

Jakub Flasz
17th Jan 2026

28 YEARS LATER: THE BONE TEMPLE, Blind Spot Management and Presence through Gore

Jakub Flasz
14th Jan 2026

And the Most Culturally Impactful Movie of 2025 Is…

Jakub Flasz
13th Jan 2026

Hamnet (2025) – Review

Jakub Flasz
12th Jan 2026

Golden Globes and Chasing Relevance by Cultural Focus Pulling

Jakub Flasz
11th Jan 2026

The Mastermind (2025) – Review

Jakub Flasz
10th Jan 2026

The AI Clapback, Digital Veganism and Redrawn Battle Lines of Cultural Warfare

Jakub Flasz
9th Jan 2026

Song Sung Blue (2025) – Review

Jakub Flasz
9th Jan 2026

EXCALIBUR at 45: The Last Gasp of New Hollywood

Jakub Flasz