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Flasz On Film
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Jakub Flasz
8th Mar 2026
Dolly (2025) – Review
Jakub Flasz
6th Mar 2026
SCREAM 7, the Hard Graft of Keeping Franchises Alive and Rationalization Through Meta-Meta-Commentary
Jakub Flasz
5th Mar 2026
HOW TO MAKE A KILLING, Satirical Relics and the Unfortunate Inability to Dislike Golden Retrievers
Jakub Flasz
3rd Mar 2026
Wasteman (2025) – Review
Jakub Flasz
2nd Mar 2026
GOOD LUCK, HAVE FUN, DON’T DIE, Kitchen Sink Satires and Fist-Waving Gen-X Men
Jakub Flasz
1st Mar 2026
Uncut Gems Podcast (February 2026 Round-up)
Jakub Flasz
28th Feb 2026
The Fate of Warner Bros, Uncertainty Breeding Uncertainty and the Bitter Tea of General Ellison
Jakub Flasz
26th Feb 2026
Cold Storage (2026) – Review
Jakub Flasz
25th Feb 2026
The Problem with DIE MY LOVE
Jakub Flasz
23rd Feb 2026
Swearing at the BAFTAs and its Mind-Boggling Aftermath
Jakub Flasz
22nd Feb 2026
How the Saga of Netflix and Paramount Circling WB Like Vultures Was Probably Partisan from the Get-Go
Jakub Flasz
21st Feb 2026
Prescient Carpenterian Escapes and Counterculture Through World-Building
Jakub Flasz
18th Feb 2026
GOAT (2026) – Review
Jakub Flasz
17th Feb 2026
Between THEY LIVE and BUGONIA, or How Eating the Rich Turned Into the Rich Eating Us
Jakub Flasz
16th Feb 2026
Whistle (2026) – Review
Jakub Flasz
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