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Flasz On Film
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Jakub Flasz
29th Mar 2026
Flasz, Camera, Action!
Jakub Flasz
27th Mar 2026
Bill & Ted’s (Almost) Flawless Time Travel Logic
Jakub Flasz
25th Mar 2026
THEY WILL KILL YOU, Second-Order Genre Medleys and Watching KILL BILL While Eating the Rich
Jakub Flasz
23rd Mar 2026
Unremarkable (2025) – Review
Jakub Flasz
21st Mar 2026
PROJECT HAIL MARY, Unfixability of Andy Weir’s Writing and Triumph of Simplicity
Jakub Flasz
20th Mar 2026
One Last Deal (2026) – Review
Jakub Flasz
19th Mar 2026
The Good Boy (2025) – Review
Jakub Flasz
18th Mar 2026
Exposure Therapy of Watching NO OTHER CHOICE While Unemployed
Jakub Flasz
16th Mar 2026
Oscars 2026 and the Shifting Definitions of Oscar Bait
Jakub Flasz
15th Mar 2026
War Machine (2026) – Review
Jakub Flasz
12th Mar 2026
HOPPERS: an AVATAR Movie Worth Getting Behind
Jakub Flasz
11th Mar 2026
The Bride! (2026) – Review
Jakub Flasz
10th Mar 2026
A Polish Xennial in a Collapsed Timeline
Jakub Flasz
8th Mar 2026
Dolly (2025) – Review
Jakub Flasz
6th Mar 2026
SCREAM 7, the Hard Graft of Keeping Franchises Alive and Rationalization Through Meta-Meta-Commentary
Jakub Flasz
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