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Flasz On Film
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Jakub Flasz
18th Dec 2025
Presumptive Nominations for Tribal Space Smurfs: Acknowledging Hypothetical Footprint or Fighting Creeping Irrelevance?
Jakub Flasz
17th Dec 2025
Rob Reiner’s Death and the Unease of Writing About It
Jakub Flasz
16th Dec 2025
SILENT NIGHT, DEADLY NIGHT (2025), Venom in a Santa Hat and Delineating Cultural Shifts by Focusing on Who Gets Chased by Axe Killers
Jakub Flasz
15th Dec 2025
Ella McCay (2025) – Review
Jakub Flasz
14th Dec 2025
How Quentin Tarantino Broke the Hollywood Omerta by Putting a Foot in His Mouth
Jakub Flasz
13th Dec 2025
Predators (2025) – Review
Jakub Flasz
11th Dec 2025
KILL BILL: THE WHOLE BLOODY AFFAIR and the Delayed, Over-Compensatory Appraisal of the Bloody Affair it Brought Whole
Jakub Flasz
9th Dec 2025
BLUE MOON and the Mystique of Quietly Radical Anti-Biopics
Jakub Flasz
8th Dec 2025
Five Nights at Freddy’s 2 (2025) – Review
Jakub Flasz
7th Dec 2025
Netflix at a Crossroads, Disruption as Religion and Red Flag Messaging
Jakub Flasz
6th Dec 2025
S Stands for Slop
Jakub Flasz
5th Dec 2025
The Netflix Ouroboros and the Irony of the Streaming Problem
Jakub Flasz
4th Dec 2025
PRIMITIVE WAR, Budget Stretchability of Bargain Bin Schlock and When Shark-Filled Tornadoes Develop an Ego
Jakub Flasz
3rd Dec 2025
Zootopia 2 (2025) – Review
Jakub Flasz
2nd Dec 2025
A Half-Hearted Defence of Spike Lee’s OLDBOY
Jakub Flasz
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