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Flasz On Film
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Jakub Flasz
17th Feb 2026
Between THEY LIVE and BUGONIA, or How Eating the Rich Turned Into the Rich Eating Us
Jakub Flasz
16th Feb 2026
Whistle (2026) – Review
Jakub Flasz
15th Feb 2026
THE HOUSEMAID and Overlooked Archetypes of Second-Order Enablers
Jakub Flasz
13th Feb 2026
The Wes Craven Retrospective – The Hills Have Eyes Part II (1985)
Jakub Flasz
12th Feb 2026
Crime 101 (2026) – Review
Jakub Flasz
10th Feb 2026
Immortality and Risk Aversion Disguised as Taste
Jakub Flasz
9th Feb 2026
JAY KELLY – An Ethically-Sourced Ersatz Woody Allen Movie
Jakub Flasz
8th Feb 2026
Primate (2026) – Review
Jakub Flasz
7th Feb 2026
IRON LUNG and the Fragile Myth of Cross-Domain Expertise Transferability
Jakub Flasz
5th Feb 2026
SEND HELP, Screwballs From Hell and Office Sexism Drenched in Gore
Jakub Flasz
3rd Feb 2026
Shelter (2026) – Review
Jakub Flasz
2nd Feb 2026
THE BIRDCAGE at 30, Cultural De-Escalation Through Exposure Therapy and Points of No Return
Jakub Flasz
1st Feb 2026
Uncut Gems Podcast (January 2026 Round-up)
Jakub Flasz
31st Jan 2026
H is for Hawk (2026) – Review
Jakub Flasz
31st Jan 2026
MERCY, Second-Order Voyeurism of Watching Someone Watch a Movie and the Case of AI Slopaganda
Jakub Flasz
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