House of Gucci (2021)

Universal Pictures

It would seem it wasn’t that long ago when I sat in the cinema to watch The Last Duel and emerged positively amazed at the fact a man well into his eighties could direct a movie this aggressive, poignant and provocative, all in the guise of a familiar medieval epic. You shall also be informed that in a recent podcast I was a part of (available over at CLAPPER’s Patreon channel that I strongly suggest you subscribe to) I may have confidently suggested that Ridley Scott just doesn’t miss at all and the worst he can do is mediocre. Boy, was I wrong! 

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The Last Duel (2021)

20th Century Studios

Ridley Scott is eighty-three years old. In fact, he will soon turn eighty-four. At this age, many filmmakers – at least those who remain active and haven’t thrown in the towel to spend the twilight of their lives sipping wine in Bali or writing memoirs – tend to slow down a bit, maybe direct their artistic interests towards more meditative output, like Clint Eastwood’s Cry Macho for example. Alternatively, like Francis Ford Coppola who is actively trying to burn his private fortune to make Megalopolis, or Charlie Chaplin who came out of retirement in 1967 to direct A Countess of Hong Kong, they might also want to stage their one last hurrah and realize that one passion project that somehow had eluded them for decades.  

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