• 

  7th Feb 2026

  IRON LUNG and the Fragile Myth of Cross-Domain Expertise Transferability

  Jakub Flasz

• 

  3rd Feb 2026

  Shelter (2026) – Review

  Jakub Flasz

• 

  31st Jan 2026

  H is for Hawk (2026) – Review

  Jakub Flasz

• 

  31st Jan 2026

  MERCY, Second-Order Voyeurism of Watching Someone Watch a Movie and the Case of AI Slopaganda

  Jakub Flasz

• 

  29th Jan 2026

  Saipan (2026) – Review

  Jakub Flasz

• 

  29th Jan 2026

  IS THIS THING ON? Yes. Yes, It Is.

  Jakub Flasz

• 

  25th Jan 2026

  Matt Damon Saying the Quiet Part Out Loud and Apparent Cultural Amnesia

  Jakub Flasz

• 

  24th Jan 2026

  THE RIP, Comfort Food for Action Dads and the Mistake of Heading for the Couch Instead of Cinemas

  Jakub Flasz

• 

  20th Jan 2026

  Giant (2025) – Review

  Jakub Flasz

• 

  18th Jan 2026

  RENTAL FAMILY, Heartfelt Humanity Between Reality and Performance and the Pitfalls of Method Acting

  Jakub Flasz

• 

  13th Jan 2026

  Hamnet (2025) – Review

  Jakub Flasz

• 

  11th Jan 2026

  The Mastermind (2025) – Review

  Jakub Flasz

• 

  9th Jan 2026

  EXCALIBUR at 45: The Last Gasp of New Hollywood

  Jakub Flasz

• 

  7th Jan 2026

  WOLF, Modes of Masculinity and the Liberation of Mike Nichols

  Jakub Flasz

• 

  28th Dec 2025

  2025 in Review: 5 Films I Missed

  Jakub Flasz