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Flasz On Film

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Netflix

  • Wake Up Dead Man: A Knives Out Mystery (2025) – Review
    21st Dec 2025

    Wake Up Dead Man: A Knives Out Mystery (2025) – Review

    Jakub Flasz
  • Netflix at a Crossroads, Disruption as Religion and Red Flag Messaging
    7th Dec 2025

    Netflix at a Crossroads, Disruption as Religion and Red Flag Messaging

    Jakub Flasz
  • The Netflix Ouroboros and the Irony of the Streaming Problem
    5th Dec 2025

    The Netflix Ouroboros and the Irony of the Streaming Problem

    Jakub Flasz
  • On the Demise of “Actually” Movies Under Algorithmic Pressure
    15th Nov 2025

    On the Demise of “Actually” Movies Under Algorithmic Pressure

    Jakub Flasz
  • A HOUSE OF DYNAMITE, Thermonuclear Glocks and the Return of the Queen
    27th Oct 2025

    A HOUSE OF DYNAMITE, Thermonuclear Glocks and the Return of the Queen

    Jakub Flasz
  • On the Underappreciated Effort in Democratizing Film Preservation
    26th Jan 2024

    On the Underappreciated Effort in Democratizing Film Preservation

    Jakub Flasz
  • LEAVE THE WORLD BEHIND, Red Haneke Herrings and Post-Pandemic Reverberations
    4th Jan 2024

    LEAVE THE WORLD BEHIND, Red Haneke Herrings and Post-Pandemic Reverberations

    Jakub Flasz
  • REBEL MOON and the Killing of a Sacred Darling
    23rd Dec 2023

    REBEL MOON and the Killing of a Sacred Darling

    Jakub Flasz
  • Arnold (2023)
    24th Jun 2023

    Arnold (2023)

    Jakub Flasz
  • Ma Rainey’s Black Bottom (2020)
    12th Jan 2021

    Ma Rainey’s Black Bottom (2020)

    Jakub Flasz
  • David Fincher and the Bifurcation of the Film Industry
    12th Nov 2020

    David Fincher and the Bifurcation of the Film Industry

    Jakub Flasz
  • Amazon, ownership of zeros and ones, and the silent tragedy of streaming
    29th Oct 2020

    Amazon, ownership of zeros and ones, and the silent tragedy of streaming

    Jakub Flasz

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