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  22nd Feb 2026

  How the Saga of Netflix and Paramount Circling WB Like Vultures Was Probably Partisan from the Get-Go

  Jakub Flasz

• 

  9th Feb 2026

  JAY KELLY – An Ethically-Sourced Ersatz Woody Allen Movie

  Jakub Flasz

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  25th Jan 2026

  Matt Damon Saying the Quiet Part Out Loud and Apparent Cultural Amnesia

  Jakub Flasz

• 

  24th Jan 2026

  THE RIP, Comfort Food for Action Dads and the Mistake of Heading for the Couch Instead of Cinemas

  Jakub Flasz

• 

  14th Jan 2026

  And the Most Culturally Impactful Movie of 2025 Is…

  Jakub Flasz

• 

  21st Dec 2025

  Wake Up Dead Man: A Knives Out Mystery (2025) – Review

  Jakub Flasz

• 

  7th Dec 2025

  Netflix at a Crossroads, Disruption as Religion and Red Flag Messaging

  Jakub Flasz

• 

  5th Dec 2025

  The Netflix Ouroboros and the Irony of the Streaming Problem

  Jakub Flasz

• 

  15th Nov 2025

  On the Demise of “Actually” Movies Under Algorithmic Pressure

  Jakub Flasz

• 

  27th Oct 2025

  A HOUSE OF DYNAMITE, Thermonuclear Glocks and the Return of the Queen

  Jakub Flasz

• 

  26th Jan 2024

  On the Underappreciated Effort in Democratizing Film Preservation

  Jakub Flasz

• 

  4th Jan 2024

  LEAVE THE WORLD BEHIND, Red Haneke Herrings and Post-Pandemic Reverberations

  Jakub Flasz

• 

  23rd Dec 2023

  REBEL MOON and the Killing of a Sacred Darling

  Jakub Flasz

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  24th Jun 2023

  Arnold (2023)

  Jakub Flasz

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  12th Jan 2021

  Ma Rainey’s Black Bottom (2020)

  Jakub Flasz