
If there is anything we can say with absolute certainty about Knock at the Cabin, M. Night Shyamalan’s latest directorial effort, it is that it is incredibly familiar and immediately invites reviewers to see it in the context of the man’s previous work. Indeed, Shyamalan seems to be a creature of habit compelled to ‘go back to the well’ and revisit themes and ideas which have haunted his existence throughout his entire career. However, it seems that at least some of the contents of that well may not have been appreciated by audiences the way they perhaps should have.
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