• 

  17th Feb 2026

  Between THEY LIVE and BUGONIA, or How Eating the Rich Turned Into the Rich Eating Us

  Jakub Flasz

• 

  16th Feb 2026

  Whistle (2026) – Review

  Jakub Flasz

• 

  8th Feb 2026

  Primate (2026) – Review

  Jakub Flasz

• 

  7th Feb 2026

  IRON LUNG and the Fragile Myth of Cross-Domain Expertise Transferability

  Jakub Flasz

• 

  5th Feb 2026

  SEND HELP, Screwballs From Hell and Office Sexism Drenched in Gore

  Jakub Flasz

• 

  7th Jan 2026

  WOLF, Modes of Masculinity and the Liberation of Mike Nichols

  Jakub Flasz

• 

  1st Jan 2026

  2025 in Review: 10 Best Articles I Wrote

  Jakub Flasz

• 

  29th Dec 2025

  ANACONDA (2025) and the Strategic Choice to Reboot the Cult Instead of the Movie

  Jakub Flasz

• 

  27th Dec 2025

  2025 in Review: 8 More Great Films I Watched

  Jakub Flasz

• 

  24th Dec 2025

  Is GREMLINS a MAGA-Coded Christmas Classic?

  Jakub Flasz

• 

  23rd Dec 2025

  The Housemaid (2025) – Review

  Jakub Flasz

• 

  16th Dec 2025

  SILENT NIGHT, DEADLY NIGHT (2025), Venom in a Santa Hat and Delineating Cultural Shifts by Focusing on Who Gets Chased by Axe Killers

  Jakub Flasz

• 

  20th Nov 2025

  Keeper (2025) – Review

  Jakub Flasz

• 

  19th Nov 2025

  THE RUNNING MAN, Persistently Resonant Dystopias and Hollywood’s Fear of Edginess

  Jakub Flasz

• 

  12th Nov 2025

  FRANKENSTEIN (2025), Squandered Opportunities for Timely Reflection and Packaging Cheap Chocolates into Pretty Boxes

  Jakub Flasz