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  7th Jan 2026

  WOLF, Modes of Masculinity and the Liberation of Mike Nichols

  Jakub Flasz

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  1st Jan 2026

  2025 in Review: 10 Best Articles I Wrote

  Jakub Flasz

• 

  29th Dec 2025

  ANACONDA (2025) and the Strategic Choice to Reboot the Cult Instead of the Movie

  Jakub Flasz

• 

  27th Dec 2025

  2025 in Review: 8 More Great Films I Watched

  Jakub Flasz

• 

  24th Dec 2025

  Is GREMLINS a MAGA-Coded Christmas Classic?

  Jakub Flasz

• 

  23rd Dec 2025

  The Housemaid (2025) – Review

  Jakub Flasz

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  16th Dec 2025

  SILENT NIGHT, DEADLY NIGHT (2025), Venom in a Santa Hat and Delineating Cultural Shifts by Focusing on Who Gets Chased by Axe Killers

  Jakub Flasz

• 

  20th Nov 2025

  Keeper (2025) – Review

  Jakub Flasz

• 

  19th Nov 2025

  THE RUNNING MAN, Persistently Resonant Dystopias and Hollywood’s Fear of Edginess

  Jakub Flasz

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  12th Nov 2025

  FRANKENSTEIN (2025), Squandered Opportunities for Timely Reflection and Packaging Cheap Chocolates into Pretty Boxes

  Jakub Flasz

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  6th Nov 2025

  Art the Clown and the Death of the Slasher Icon

  Jakub Flasz

• 

  4th Nov 2025

  SHELBY OAKS, Changing Lanes and Eating Cotton Candy in the Rain

  Jakub Flasz

• 

  2nd Nov 2025

  The Wes Craven Retrospective – A Nightmare on Elm Street (1984)

  Jakub Flasz

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  22nd Oct 2025

  BLACK PHONE 2, Accidental Fan-Fics and Letting Freddy Krueger Roam the Overlook

  Jakub Flasz

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  15th Oct 2025

  THE LONG WALK and How a Movie May Struggle to Proceed at a Pace of a Walking Man 

  Jakub Flasz