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  30th Mar 2026

  Ready or Not 2: Here I Come

  Jakub Flasz

• 

  25th Mar 2026

  THEY WILL KILL YOU, Second-Order Genre Medleys and Watching KILL BILL While Eating the Rich

  Jakub Flasz

• 

  23rd Mar 2026

  Unremarkable (2025) – Review

  Jakub Flasz

• 

  11th Mar 2026

  The Bride! (2026) – Review

  Jakub Flasz

• 

  8th Mar 2026

  Dolly (2025) – Review

  Jakub Flasz

• 

  6th Mar 2026

  SCREAM 7, the Hard Graft of Keeping Franchises Alive and Rationalization Through Meta-Meta-Commentary

  Jakub Flasz

• 

  26th Feb 2026

  Cold Storage (2026) – Review

  Jakub Flasz

• 

  17th Feb 2026

  Between THEY LIVE and BUGONIA, or How Eating the Rich Turned Into the Rich Eating Us

  Jakub Flasz

• 

  16th Feb 2026

  Whistle (2026) – Review

  Jakub Flasz

• 

  8th Feb 2026

  Primate (2026) – Review

  Jakub Flasz

• 

  7th Feb 2026

  IRON LUNG and the Fragile Myth of Cross-Domain Expertise Transferability

  Jakub Flasz

• 

  5th Feb 2026

  SEND HELP, Screwballs From Hell and Office Sexism Drenched in Gore

  Jakub Flasz

• 

  7th Jan 2026

  WOLF, Modes of Masculinity and the Liberation of Mike Nichols

  Jakub Flasz

• 

  1st Jan 2026

  2025 in Review: 10 Best Articles I Wrote

  Jakub Flasz

• 

  29th Dec 2025

  ANACONDA (2025) and the Strategic Choice to Reboot the Cult Instead of the Movie

  Jakub Flasz