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  5th Dec 2025

  The Netflix Ouroboros and the Irony of the Streaming Problem

  Jakub Flasz

• 

  3rd Dec 2025

  Zootopia 2 (2025) – Review

  Jakub Flasz

• 

  17th Aug 2025

  Super Charlie (2025) – Review

  Jakub Flasz

• 

  3rd Aug 2025

  Heidi: Rescue of the Lynx (2025) – Review

  Jakub Flasz

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  4th Jul 2025

  ELIO and the Cost of Pixar’s Cultural Caution

  Jakub Flasz

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  25th Mar 2025

  SNOW WHITE and the Vagaries of Gambling with Big Pots of Moolah

  Jakub Flasz

• 

  29th Dec 2024

  2024 in Review: 10 Best Films I Watched

  Jakub Flasz

• 

  2nd Dec 2024

  MOANA 2, From Wayfinder to Role Model on the Open Seas

  Jakub Flasz

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  12th Nov 2024

  THE WILD ROBOT, The Game of Four-Quadrant Catch-up, and Ordering Pixar Movies from Alibaba

  Jakub Flasz

• 

  25th Jun 2024

  INSIDE OUT 2 and the Magic of Pixar’s Four-Quadrant Competence

  Jakub Flasz

• 

  30th May 2024

  KINGDOM OF THE PLANET OF THE APES Is a Fully Industrialized McBlockbuster

  Jakub Flasz

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  4th May 2024

  How George Lucas Ruined Space Operas

  Jakub Flasz

• 

  26th Jan 2024

  On the Underappreciated Effort in Democratizing Film Preservation

  Jakub Flasz

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  17th Jul 2023

  ELEMENTAL, Crayfish and Anecdotal Perspectives of the Youth

  Jakub Flasz

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  23rd Jun 2023

  SECRET INVASION and the Performative Outrage over AI

  Jakub Flasz