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Flasz On Film
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Review-Adjacent Rants
12th Feb 2024
ALL OF US STRANGERS, Arthouse Twistiness and the Void of Atomized Loneliness
Jakub Flasz
7th Feb 2024
AIRPORT 1975, These Magnificent Charltons, and Their Flying Studios
Jakub Flasz
4th Feb 2024
ROBOT JOX – The SPEED RACER of Its Time
Jakub Flasz
29th Jan 2024
AMERICAN FICTION, Urgency, Importance, and the Difference Between the Two
Jakub Flasz
22nd Jan 2024
CLOSE ENCOUNTERS OF THE THIRD KIND and Mashed Potato-Shaped Dreams of Hollywood Greatness
Jakub Flasz
17th Jan 2024
THE BEEKEEPER and the Curiously Unpretentious Corniness of a JOHN WICK Wannabe
Jakub Flasz
15th Jan 2024
POOR THINGS and Accessibility of Weirdness
Jakub Flasz
9th Jan 2024
PRISCILLA, Loneliness at the Top, and the Toxic Allure of Celebrity
Jakub Flasz
4th Jan 2024
LEAVE THE WORLD BEHIND, Red Haneke Herrings and Post-Pandemic Reverberations
Jakub Flasz
2nd Jan 2024
NEXT GOAL WINS, Kübler-Ross and Acute Lack of Self-Awareness
Jakub Flasz
23rd Dec 2023
REBEL MOON and the Killing of a Sacred Darling
Jakub Flasz
21st Dec 2023
FERRARI and the Use-by Date of Action Juice
Jakub Flasz
19th Dec 2023
GODZILLA MINUS ONE, Neo-realism, and Spielbergian Fundamentals
Jakub Flasz
16th Dec 2023
HOW TO HAVE SEX and the Female Gaze-Enabled Cinéma Vérité
Jakub Flasz
11th Dec 2023
EILEEN and the Subtle Art of Encoding Detail in Negative Spaces
Jakub Flasz
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