Flasz On Film

Review-Adjacent Rants

28th Dec 2024

ANORA, Nouveau Riche Prince Charmings and Pipe Dreams of Social Mobility

Jakub Flasz
11th Dec 2024

THE APPRENTICE and Gold-Plated Origins of a Hollow Empire

Jakub Flasz
2nd Dec 2024

MOANA 2, From Wayfinder to Role Model on the Open Seas

Jakub Flasz
30th Nov 2024

REBEL RIDGE and Tantric Journeys Through Familiar Trails of Competence Porn

Jakub Flasz
28th Nov 2024

CONCLAVE, Angry Men in Gold Hats and Boomer Catnip

Jakub Flasz
25th Nov 2024

GLADIATOR II and Milking Functionally Redundant Franchise Nipples

Jakub Flasz
12th Nov 2024

THE WILD ROBOT, The Game of Four-Quadrant Catch-up, and Ordering Pixar Movies from Alibaba

Jakub Flasz
4th Nov 2024

HERETIC, Dawkinsian Pop Philosophy and the Art of Pseudo-Intellectual Horror

Jakub Flasz
27th Oct 2024

SMILE 2 – A Non-Diegetic Over-The-Counter Cinematic Deconstipator with Rapid Mode of Action

Jakub Flasz
22nd Oct 2024

‘SALEM’S LOT (2024), The Game of Telephone and Why Butchers Make Terrible Surgeons

Jakub Flasz
12th Oct 2024

JOKER: FOLIE À DEUX, Self-Indulgent Navel-Gazers and The Alluring Idea of Joaquin Out of a Quarter-Filled Cinema in Protest

Jakub Flasz
7th Oct 2024

NEVER LET GO, Doom-Swallows and Biology of Cultural Microtrends

Jakub Flasz
19th Sep 2024

SPEAK NO EVIL, The Price of Luxury Beliefs and Complementary Modes of Nihilism

Jakub Flasz
10th Sep 2024

ALIEN: ROMULUS and the Science of Withholding Flatulence While Appearing Inspired and Cool

Jakub Flasz
3rd Sep 2024

THE TERMINATOR at 40: The Ultimate B-Movie Sleeper Car

Jakub Flasz