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Flasz On Film
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Review-Adjacent Rants
20th Mar 2025
THE MONKEY and the Marmite-Like Results of Adapting King Vibes
Jakub Flasz
28th Feb 2025
SEPTEMBER 5, Canarian Sacrifice and Objectivity in the Age of Political Wrath
Jakub Flasz
16th Feb 2025
COMPANION and the Cruel Irony of Not Realizing You Are What You’re Having a Conversation About
Jakub Flasz
10th Feb 2025
FLIGHT RISK and Trying to Look Mean Wearing a Bolognaise-Stained Shirt
Jakub Flasz
5th Feb 2025
PRESENCE, Soderberghian Gimmickry and Why a Good Circus Act Needs Drama
Jakub Flasz
24th Jan 2025
WOLF MAN, Scars of Fatherhood and Proving Mike Nichols Wrong
Jakub Flasz
17th Jan 2025
NOSFERATU, Stoker-Adjacent Expressionistic Moodiness and the Diminishing Returns of Performative Gothicking
Jakub Flasz
28th Dec 2024
ANORA, Nouveau Riche Prince Charmings and Pipe Dreams of Social Mobility
Jakub Flasz
11th Dec 2024
THE APPRENTICE and Gold-Plated Origins of a Hollow Empire
Jakub Flasz
2nd Dec 2024
MOANA 2, From Wayfinder to Role Model on the Open Seas
Jakub Flasz
30th Nov 2024
REBEL RIDGE and Tantric Journeys Through Familiar Trails of Competence Porn
Jakub Flasz
28th Nov 2024
CONCLAVE, Angry Men in Gold Hats and Boomer Catnip
Jakub Flasz
25th Nov 2024
GLADIATOR II and Milking Functionally Redundant Franchise Nipples
Jakub Flasz
12th Nov 2024
THE WILD ROBOT, The Game of Four-Quadrant Catch-up, and Ordering Pixar Movies from Alibaba
Jakub Flasz
4th Nov 2024
HERETIC, Dawkinsian Pop Philosophy and the Art of Pseudo-Intellectual Horror
Jakub Flasz
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