Review-Adjacent Rants

10th Feb 2025

FLIGHT RISK and Trying to Look Mean Wearing a Bolognaise-Stained Shirt

Jakub Flasz
5th Feb 2025

PRESENCE, Soderberghian Gimmickry and Why a Good Circus Act Needs Drama

Jakub Flasz
24th Jan 2025

WOLF MAN, Scars of Fatherhood and Proving Mike Nichols Wrong

Jakub Flasz
17th Jan 2025

NOSFERATU, Stoker-Adjacent Expressionistic Moodiness and the Diminishing Returns of Performative Gothicking

Jakub Flasz
28th Dec 2024

ANORA, Nouveau Riche Prince Charmings and Pipe Dreams of Social Mobility

Jakub Flasz
11th Dec 2024

THE APPRENTICE and Gold-Plated Origins of a Hollow Empire

Jakub Flasz
2nd Dec 2024

MOANA 2, From Wayfinder to Role Model on the Open Seas

Jakub Flasz
30th Nov 2024

REBEL RIDGE and Tantric Journeys Through Familiar Trails of Competence Porn

Jakub Flasz
28th Nov 2024

CONCLAVE, Angry Men in Gold Hats and Boomer Catnip

Jakub Flasz
25th Nov 2024

GLADIATOR II and Milking Functionally Redundant Franchise Nipples

Jakub Flasz
12th Nov 2024

THE WILD ROBOT, The Game of Four-Quadrant Catch-up, and Ordering Pixar Movies from Alibaba

Jakub Flasz
4th Nov 2024

HERETIC, Dawkinsian Pop Philosophy and the Art of Pseudo-Intellectual Horror

Jakub Flasz
27th Oct 2024

SMILE 2 – A Non-Diegetic Over-The-Counter Cinematic Deconstipator with Rapid Mode of Action

Jakub Flasz
22nd Oct 2024

‘SALEM’S LOT (2024), The Game of Telephone and Why Butchers Make Terrible Surgeons

Jakub Flasz
12th Oct 2024

JOKER: FOLIE À DEUX, Self-Indulgent Navel-Gazers and The Alluring Idea of Joaquin Out of a Quarter-Filled Cinema in Protest

Jakub Flasz