Review-Adjacent Rants

16th Dec 2025

SILENT NIGHT, DEADLY NIGHT (2025), Venom in a Santa Hat and Delineating Cultural Shifts by Focusing on Who Gets Chased by Axe Killers

Jakub Flasz
9th Dec 2025

BLUE MOON and the Mystique of Quietly Radical Anti-Biopics

Jakub Flasz
4th Dec 2025

PRIMITIVE WAR, Budget Stretchability of Bargain Bin Schlock and When Shark-Filled Tornadoes Develop an Ego

Jakub Flasz
25th Nov 2025

SISU: ROAD TO REVENGE, Grindhouse in Slow Motion and Why Short Stories Don’t Deserve Chapters

Jakub Flasz
24th Nov 2025

NOUVELLE VAGUE, or When Linklater Went Full Godard

Jakub Flasz
12th Nov 2025

FRANKENSTEIN (2025), Squandered Opportunities for Timely Reflection and Packaging Cheap Chocolates into Pretty Boxes

Jakub Flasz
10th Nov 2025

PREDATOR: BADLANDS, Video Games in Disguise and the Ascendancy of Fan-Fic Lore Absurdities

Jakub Flasz
4th Nov 2025

SHELBY OAKS, Changing Lanes and Eating Cotton Candy in the Rain

Jakub Flasz
27th Oct 2025

A HOUSE OF DYNAMITE, Thermonuclear Glocks and the Return of the Queen

Jakub Flasz
22nd Oct 2025

BLACK PHONE 2, Accidental Fan-Fics and Letting Freddy Krueger Roam the Overlook

Jakub Flasz
20th Oct 2025

TRON: ARES, Reversing Plot Vectors and Solving Dinosaur Problems

Jakub Flasz
8th Oct 2025

GOOD BOY, Stretchability of Genre Gimmicks and Monsters Behind the Door

Jakub Flasz
26th Sep 2025

ALIEN: EARTH, Aesthetic Anchoring and Conversations on Sentience with a Xenomorph in the Corner

Jakub Flasz
24th Sep 2025

THE CONJURING: LAST RITES, Mixtapes and Diminishing Returns of Regurgitated Scare Tactics

Jakub Flasz
19th Sep 2025

HONEY DON’T! and the Act of Experimentally Separating the Chinese Five Spice to Understand More about the Auteur Theory

Jakub Flasz