Review-Adjacent Rants

24th Jan 2026

THE RIP, Comfort Food for Action Dads and the Mistake of Heading for the Couch Instead of Cinemas

Jakub Flasz
18th Jan 2026

RENTAL FAMILY, Heartfelt Humanity Between Reality and Performance and the Pitfalls of Method Acting

Jakub Flasz
17th Jan 2026

28 YEARS LATER: THE BONE TEMPLE, Blind Spot Management and Presence through Gore

Jakub Flasz
5th Jan 2026

MARTY SUPREME, Anatomy of a Collaborative Endeavour by Selective Deletion and the Perils of Updating ROCKY with Extra Steps

Jakub Flasz
29th Dec 2025

ANACONDA (2025) and the Strategic Choice to Reboot the Cult Instead of the Movie

Jakub Flasz
20th Dec 2025

AVATAR: FIRE AND ASH, Feature-Length In-Game Cinematics and Bedsores

Jakub Flasz
16th Dec 2025

SILENT NIGHT, DEADLY NIGHT (2025), Venom in a Santa Hat and Delineating Cultural Shifts by Focusing on Who Gets Chased by Axe Killers

Jakub Flasz
9th Dec 2025

BLUE MOON and the Mystique of Quietly Radical Anti-Biopics

Jakub Flasz
4th Dec 2025

PRIMITIVE WAR, Budget Stretchability of Bargain Bin Schlock and When Shark-Filled Tornadoes Develop an Ego

Jakub Flasz
25th Nov 2025

SISU: ROAD TO REVENGE, Grindhouse in Slow Motion and Why Short Stories Don’t Deserve Chapters

Jakub Flasz
24th Nov 2025

NOUVELLE VAGUE, or When Linklater Went Full Godard

Jakub Flasz
12th Nov 2025

FRANKENSTEIN (2025), Squandered Opportunities for Timely Reflection and Packaging Cheap Chocolates into Pretty Boxes

Jakub Flasz
10th Nov 2025

PREDATOR: BADLANDS, Video Games in Disguise and the Ascendancy of Fan-Fic Lore Absurdities

Jakub Flasz
4th Nov 2025

SHELBY OAKS, Changing Lanes and Eating Cotton Candy in the Rain

Jakub Flasz
27th Oct 2025

A HOUSE OF DYNAMITE, Thermonuclear Glocks and the Return of the Queen

Jakub Flasz