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Flasz On Film

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Opinions, Rants and Diatribes

  • Does It Matter If STILLWATER Is Loosely Based on Amanda Knox Story?
    6th Aug 2021

    Does It Matter If STILLWATER Is Loosely Based on Amanda Knox Story?

    Jakub Flasz
  • Can OLD Be Weaponized by Vaccine Refuseniks?
    30th Jul 2021

    Can OLD Be Weaponized by Vaccine Refuseniks?

    Jakub Flasz
  • Film Festivals in the Post-COVID world
    15th Jul 2021

    Film Festivals in the Post-COVID world

    Jakub Flasz
  • Rocky Balboa: An Unlikely Role Model for Men
    7th Jul 2021

    Rocky Balboa: An Unlikely Role Model for Men

    Jakub Flasz
  • Quentin Tarantino and Recreational Outrage
    30th Jun 2021

    Quentin Tarantino and Recreational Outrage

    Jakub Flasz
  • Is Paddington a Religious Figure?
    18th Jun 2021

    Is Paddington a Religious Figure?

    Jakub Flasz
  • On Studio Oversight and Studio Interference
    3rd Apr 2021

    On Studio Oversight and Studio Interference

    Jakub Flasz
  • On Criticism: The Death of a Review and Who Is a Critic These Days Anyway?
    28th Feb 2021

    On Criticism: The Death of a Review and Who Is a Critic These Days Anyway?

    Jakub Flasz
  • Thinking about 2021
    10th Jan 2021

    Thinking about 2021

    Jakub Flasz
  • Parsing the response to Wonder Woman 1984
    30th Dec 2020

    Parsing the response to Wonder Woman 1984

    Jakub Flasz
  • Cinemas must be saved!!!
    8th Dec 2020

    Cinemas must be saved!!!

    Jakub Flasz
  • Wonder Woman, Christopher Nolan, and the Death of Hollywood
    19th Nov 2020

    Wonder Woman, Christopher Nolan, and the Death of Hollywood

    Jakub Flasz
  • David Fincher and the Bifurcation of the Film Industry
    12th Nov 2020

    David Fincher and the Bifurcation of the Film Industry

    Jakub Flasz
  • Celebrating Halloween on Clapper
    31st Oct 2020

    Celebrating Halloween on Clapper

    Jakub Flasz
  • Amazon, ownership of zeros and ones, and the silent tragedy of streaming
    29th Oct 2020

    Amazon, ownership of zeros and ones, and the silent tragedy of streaming

    Jakub Flasz
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