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Opinions, Rants and Diatribes
29th Mar 2024
THE HUNTED, Organic Green Screens, and Self-Reflective Musings on Chickens Coming Home to Roost
Jakub Flasz
22nd Mar 2024
JAWS Was Not a Pandemic Movie
Jakub Flasz
29th Feb 2024
DO THE RIGHT THING, Sinister Politics of Division and the Difficulties of Extrapolating from Incomplete Datasets
Jakub Flasz
27th Feb 2024
Roland Emmerich’s 2012 Was a Premonition of the Post-Pandemic Bedlam
Jakub Flasz
18th Feb 2024
PACIFIC RIM – A Franchise That Deserved Better
Jakub Flasz
7th Feb 2024
AIRPORT 1975, These Magnificent Charltons, and Their Flying Studios
Jakub Flasz
22nd Jan 2024
CLOSE ENCOUNTERS OF THE THIRD KIND and Mashed Potato-Shaped Dreams of Hollywood Greatness
Jakub Flasz
10th Jan 2024
THE ABYSS, Moral Double Standards and Fragile Male Egos
Jakub Flasz
26th Dec 2023
Elegy for DIE HARDEST
Jakub Flasz
9th Dec 2023
John Cassavetes – The Patron Saint of Indie Podcasting
Jakub Flasz
8th Dec 2023
How MAGIC MIKE Movies Foreshadow Changes in Steven Soderbergh’s Career
Jakub Flasz
5th Dec 2023
Emerald Fennell’s Cinema of Performative Champagne Outrage
Jakub Flasz
21st Nov 2023
SOUL, The Great Resignation Wave and Why We Can’t Have Nice Things
Jakub Flasz
14th Nov 2023
COVID, Fantasy and Period Pieces
Jakub Flasz
7th Nov 2023
KILLERS OF THE FLOWER MOON – Martin Scorsese’s Last Word on Hollywood
Jakub Flasz
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