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Flasz On Film
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Jakub Flasz
1st Mar 2024
Uncut Gems Podcast (February 2024 Round-up)
Jakub Flasz
29th Feb 2024
DO THE RIGHT THING, Sinister Politics of Division and the Difficulties of Extrapolating from Incomplete Datasets
Jakub Flasz
27th Feb 2024
Roland Emmerich’s 2012 Was a Premonition of the Post-Pandemic Bedlam
Jakub Flasz
26th Feb 2024
WICKED LITTLE LETTERS and The Subtle Art of Entertaining British Pensioners
Jakub Flasz
23rd Feb 2024
MO’ BETTER BLUES, Meta-Autobiographical Soloing and Lamentations on Authorial Filmmaking
Jakub Flasz
18th Feb 2024
PACIFIC RIM – A Franchise That Deserved Better
Jakub Flasz
15th Feb 2024
THE IRON CLAW or How Biopic Schmaltziness Is a Suplex
Jakub Flasz
12th Feb 2024
ALL OF US STRANGERS, Arthouse Twistiness and the Void of Atomized Loneliness
Jakub Flasz
7th Feb 2024
AIRPORT 1975, These Magnificent Charltons, and Their Flying Studios
Jakub Flasz
4th Feb 2024
ROBOT JOX – The SPEED RACER of Its Time
Jakub Flasz
1st Feb 2024
Uncut Gems Podcast (January 2024 Round-up)
Jakub Flasz
30th Jan 2024
Dinosaur Bucket Lists and the Beginning of the End of Cinema
Jakub Flasz
29th Jan 2024
AMERICAN FICTION, Urgency, Importance, and the Difference Between the Two
Jakub Flasz
26th Jan 2024
On the Underappreciated Effort in Democratizing Film Preservation
Jakub Flasz
25th Jan 2024
Footballification of the Oscar Race and the Uselessness of Performative Zealotry
Jakub Flasz
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