Flasz On Film

Jakub Flasz

16th Apr 2024

THE FIRST OMEN, Reasons to Keep Franchises Alive and Condom Expiration Dates

Jakub Flasz
11th Apr 2024

GODZILLA x KONG: THE NEW EMPIRE, Roger Corman Vibes, and the Rambunctious Ridiculousness of Aping DCEU

Jakub Flasz
5th Apr 2024

Carrie White – an Accidental Icon of American Folklore

Jakub Flasz
3rd Apr 2024

How Millie Bobby Brown Validated the Way I Develop My Craft

Jakub Flasz
2nd Apr 2024

Uncut Gems Podcast (March 2024 Round-up)

Jakub Flasz
29th Mar 2024

THE HUNTED, Organic Green Screens, and Self-Reflective Musings on Chickens Coming Home to Roost

Jakub Flasz
27th Mar 2024

IMMACULATE – Rosemary’s Baby’s Baby

Jakub Flasz
22nd Mar 2024

JAWS Was Not a Pandemic Movie

Jakub Flasz
19th Mar 2024

IMAGINARY and the Impotent Futility of Watching Recursive TikTok Dances

Jakub Flasz
14th Mar 2024

DUNE DLC, Black Swan Events, and the Hollywood Low-Stakes Roulette

Jakub Flasz
11th Mar 2024

DUNE PART TWO, Cinematic Pickup Bars, and the Joy of Finding Rhythm in a Song After Clapping to It Wrong for a While

Jakub Flasz
5th Mar 2024

THE HOLDOVERS, Men in Chronic Crisis, and the Unbearable Weight of Skeletons in the Closet

Jakub Flasz
1st Mar 2024

Uncut Gems Podcast (February 2024 Round-up)

Jakub Flasz
29th Feb 2024

DO THE RIGHT THING, Sinister Politics of Division and the Difficulties of Extrapolating from Incomplete Datasets

Jakub Flasz
27th Feb 2024

Roland Emmerich’s 2012 Was a Premonition of the Post-Pandemic Bedlam

Jakub Flasz