Flasz On Film

Jakub Flasz

1st Oct 2024

Uncut Gems Podcast (September 2024 Round-up)

Jakub Flasz
24th Sep 2024

SOMETIMES THEY COME BACK, Confronting Greasers Within and the Case for an Elevated Horror Remake

Jakub Flasz
19th Sep 2024

SPEAK NO EVIL, The Price of Luxury Beliefs and Complementary Modes of Nihilism

Jakub Flasz
17th Sep 2024

FIGHT CLUB at 25: Searching for Meaning in Man-sheds Full of False Prophets

Jakub Flasz
10th Sep 2024

ALIEN: ROMULUS and the Science of Withholding Flatulence While Appearing Inspired and Cool

Jakub Flasz
3rd Sep 2024

THE TERMINATOR at 40: The Ultimate B-Movie Sleeper Car

Jakub Flasz
1st Sep 2024

Uncut Gems Podcast (August 2024 Round-up)

Jakub Flasz
31st Aug 2024

Bloat v Brevity: The Running Time Conundrum

Jakub Flasz
27th Aug 2024

IN A VIOLENT NATURE Is an Upside-Down Slasher Cake

Jakub Flasz
24th Aug 2024

MAXIMUM OVERDRIVE and How Stephen King’s TRUCKS is an ACME-Branded Trap

Jakub Flasz
21st Aug 2024

TRAP, Old Dogs, New Tricks and the Art of Effortless Misdirection

Jakub Flasz
19th Aug 2024

BORDERLANDS, A Recursive Destruction of Popular Culture and Lucbessonian Palimpsests

Jakub Flasz
16th Aug 2024

CABARET, Faragist Riots and Historical Rhyming Patterns

Jakub Flasz
8th Aug 2024

TRUE LIES – A Perfect Vicarious Fantasy for Daydreaming Dads

Jakub Flasz
4th Aug 2024

Between GREY MATTER and THE BOOGEYMAN: The Many Ways to Adapt Stephen King’s One-Reels

Jakub Flasz