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Flasz On Film
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Jakub Flasz
6th Nov 2024
On The Subtlety of Anti-Polish Microaggressions in Post-Brexit Britain
Jakub Flasz
5th Nov 2024
Softball Podcasters, Journalistic Ethos or Lack Thereof, and the Art of Mobilizing the Politically Homeless
Jakub Flasz
4th Nov 2024
HERETIC, Dawkinsian Pop Philosophy and the Art of Pseudo-Intellectual Horror
Jakub Flasz
3rd Nov 2024
Fighting for Limelight Photons in the Era of Celebrity Podcasting
Jakub Flasz
1st Nov 2024
Uncut Gems Podcast (October 2024 Round-up)
Jakub Flasz
31st Oct 2024
CHILDREN OF THE CORN and the Vagaries of Organic Franchise-Building in a Narrative Flowerpot
Jakub Flasz
30th Oct 2024
THE CROW at 30: An Enduring Goth Fairy Tale, an Evolutionary Lynchpin, and a Dark Memento
Jakub Flasz
29th Oct 2024
Inveterate Hairless Anthropoids and Thinking in Decades
Jakub Flasz
28th Oct 2024
How I Realized That Medium Was Not a Medium for Me
Jakub Flasz
27th Oct 2024
SMILE 2 – A Non-Diegetic Over-The-Counter Cinematic Deconstipator with Rapid Mode of Action
Jakub Flasz
22nd Oct 2024
‘SALEM’S LOT (2024), The Game of Telephone and Why Butchers Make Terrible Surgeons
Jakub Flasz
21st Oct 2024
Between NEAR DARK and ZERO DARK THIRTY: A Tale of Four Bigelows and One Relentless Pursuit of Greatness
Jakub Flasz
12th Oct 2024
JOKER: FOLIE À DEUX, Self-Indulgent Navel-Gazers and The Alluring Idea of Joaquin Out of a Quarter-Filled Cinema in Protest
Jakub Flasz
7th Oct 2024
NEVER LET GO, Doom-Swallows and Biology of Cultural Microtrends
Jakub Flasz
2nd Oct 2024
THE LAWNMOWER MAN and the Curious Case of Adaptio ad Absurdum
Jakub Flasz
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