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Flasz On Film
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Jakub Flasz
1st Sep 2024
Uncut Gems Podcast (August 2024 Round-up)
Jakub Flasz
31st Aug 2024
Bloat v Brevity: The Running Time Conundrum
Jakub Flasz
27th Aug 2024
IN A VIOLENT NATURE Is an Upside-Down Slasher Cake
Jakub Flasz
24th Aug 2024
MAXIMUM OVERDRIVE and How Stephen King’s TRUCKS is an ACME-Branded Trap
Jakub Flasz
21st Aug 2024
TRAP, Old Dogs, New Tricks and the Art of Effortless Misdirection
Jakub Flasz
19th Aug 2024
BORDERLANDS, A Recursive Destruction of Popular Culture and Lucbessonian Palimpsests
Jakub Flasz
16th Aug 2024
CABARET, Faragist Riots and Historical Rhyming Patterns
Jakub Flasz
8th Aug 2024
TRUE LIES – A Perfect Vicarious Fantasy for Daydreaming Dads
Jakub Flasz
4th Aug 2024
Between GREY MATTER and THE BOOGEYMAN: The Many Ways to Adapt Stephen King’s One-Reels
Jakub Flasz
1st Aug 2024
Uncut Gems Podcast (July 2024 Round-up)
Jakub Flasz
30th Jul 2024
THE SHINING and the Arduous Task of Triangulating the Locus of Its Essence
Jakub Flasz
28th Jul 2024
TWISTERS, Tornado-Sniffing Superpowers and Limitations of NostalGPT
Jakub Flasz
25th Jul 2024
LONGLEGS, Dark Fairy Tales and Unmet Expectations of Cage Rage
Jakub Flasz
21st Jul 2024
SUMMER OF SAM, Spike Lee’s Incisive Prescience and Lamentations on Values and Identity
Jakub Flasz
16th Jul 2024
MAXXXINE and the Parameters of Having Fun Under Strict Conditions of Identity Crisis
Jakub Flasz
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