Last Night in Soho (2021)


Over the course of his entire career, Edgar Wright has been interested in exploring ideas surrounding nostalgia, clinging onto the past and dealing with changing life circumstances, all hidden within hyper-stylized genre experiments functioning as nostalgic love letters to movies Wright grew up watching. Admittedly, this idea of wrapping nostalgia around nostalgia is what gave Shaun of the DeadHot Fuzz and – quite frankly – nearly all of his movies their particular charm and convinced the audiences not only to let themselves be taken onto these wild adventures, but also perhaps tickled their own nostalgic glands. After all, we all know someone who failed to grow up, maybe we can’t part ways with our favourite pub, or maybe we all know what it’s like to come back to our hometown after many years to see how the place changed and how we no longer fit in there despite our memories telling us we should be able to. 

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