Saint Maud (2019)

The renaissance of horror continues unabated with more and more unique voices jumping into the fray. Directed and written by Rose Glass in her feature debut, Saint Maud fits right in with the tonal frequency of the genre and saturates a seemingly prototypical story of possession with poignant social commentary. However, in contrast to such juggernauts as Get Out or Us, Glass’s film hides its true aspiration a bit deeper.  

Continue reading