Earwig and the Witch (2020)

I sincerely believe that the release of Earwig and the Witch was supposed to be a momentous occasion because – after decades of adhering to a traditional hand-drawn style of animation – Studio Ghibli was finally making a move in the world of 3D computer-generated graphics. What is more, it could be read as a landmark strategic shift or maybe even a ‘changing of the guard’ as the studio’s first ever CG-animated project was helmed by Goro Miyazaki, the son of Hayao Miyazaki himself.  

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