Released in 1994, 71 Fragments Of A Chronology Of Chance was meant to cap the so-called Glaciation Trilogy, which also includes Haneke’s two preceding efforts, The Seventh Continent and Benny’s Video. In some ways, this film seems symmetrical to both of them. It is inspired by a true story of a student who – out of nowhere – walked into a Viennese bank and opened fire killing a bunch of by-standers before blowing his own brains out, which tethers the film thematically to The Seventh Continent in particular. In addition, the entirety of its fragmented narrative is also interspersed with various bits of archival news footage mostly covering the Balkan War in graphic detail, which is consistent with the crucial role TV screens played in his other movies. However, this film did not resonate with me the way these other films did.Continue reading
While Haneke’s debut The Seventh Continent was intended as a piece of stark criticism aimed at the consumerist attitudes pervading the wealthier echelons of the Austrian society, Benny’s Video, his sophomore effort, directs its unwavering hand holding a cold scalpel of deconstructive analysis at the upbringing of children.Continue reading
This article is a part of a comprehensive journey through the cinema of Michael Haneke, an often-overlooked auteur whose cutting critical analysis continues to be relevant to this day.
Michael Haneke’s transition from the highly regimented and thematically constrained universe of television was allegedly catalyzed by a short news article about a regular Austrian family whose members decided to end their lives, seemingly without any valid reason. The Seventh Continent is Haneke’s attempt to wrestle with this moral puzzle.Continue reading