The Wes Craven Retrospective: The Last House On The Left (1972)

It is commonly understood that when Wes Craven embarked on a mission to write and direct his debut feature, he was inspired by Ingmar Bergman’s The Virgin Spring. Some attach a caveat that he was merely adapting the same Swedish ballad, but it is abundantly clear he was intentionally hitting the same dramatic beats as Bergman. But more often than not – apart from remarking upon the film’s exploitation aesthetic, cultural notoriety and the fact some parts of it have been lost forever owing to widespread censorship – this is where the discourse surrounding The Last House On The Left ends. But there’s much more to be mined in there.  

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