Nope (2022)


One data point is just what it is – a data point. Two data points are the minimum requirement to form a line. And for some reason it seems that quite a lot of critics and casual moviegoers alike decided that two data points are sufficient to form a trend, which is a big no-no for anyone even vaguely aware of how statistics operates as a science. So, in a way, Jordan Peele’s Nope has inadvertently fallen prey to the general public’s lack of awareness that extrapolating from small data sets is at best loaded with uncertainty and most likely completely useless. Because this movie is pretty damn solid, to say the least. 

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Judas and the Black Messiah (2021)

Immediately after its Sundance premiere, Judas and the Black Messiah attracted considerable attention from festival audiences and – most notably – from the critical community. Sonnets were written about Daniel Kaluuya, Lakeith Stanfield and even Jesse Plemons and at least for a little while it looked as though this Shaka King’s sophomore feature would generate enough momentum to stage an upset at the Oscars.  

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